Loren appeared in fewer movies after becoming a mother. During the next decade, most of her roles were in Italian features. During the 1970s, she was paired with Richard Burton in the last De Sica-directed film, The Voyage (1974), and a remake of the film Brief Encounter (1974). The film had its premiere on US television on 12 November 1974 as part of the Hallmark Hall of Fame series on NBC. In 1976, she starred in The Cassandra Crossing. It fared extremely well internationally, and was a respectable box office success in the US market. She co-starred with Marcello Mastroianni again in Ettore Scola's A Special Day (1977). This movie was nominated for 11 international awards such as two Oscars (best actor in leading role, best foreign picture). It won a Golden Globe Award and a César Award for best foreign movie. Loren's performance was awarded with a David di Donatello Award, the seventh in her career. The movie was extremely well received by American reviewers and became a box office hit.
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Following this success, Loren starred in an American thriller Brass Target. This movie received mixed reviews, although it was moderately successful in the United States and internationally. In 1978, she won her fourth Golden Globe for "world film favorite". Other movies of this decade were Academy Award nominee Sunflower (1970), which was a critical success, and Arthur Hiller's Man of La Mancha (1972), which was a critical and commercial failure despite being nominated for several awards, including two Golden Globes. Peter O'Toole and James Coco were nominated for two NBR awards, in addition the NBR listed Man of La Mancha in its best ten pictures of 1972 list.[17]
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The butler, who had asked the undertaker's assistants to suspendoperations when Robert Fenley arrived, now appeared at the door andsignaled the men that they were free to proceed [Pg 103]with their work. Thedetectives strolled into the wood, and soon were bending over somecurious blotchy marks which somehow suggested the passage of apad-footed animal rather than a human being. Bates, of course, wouldhave noted them had he not been on the alert for footprints alone, butthey had stared at Winter and Furneaux from the instant theirregularity became apparent. They represented a stride considerablyshorter than the average length of a man's pace, and were stronglymarked when the surface was spongy enough to receive an impression.Except, however, in the slight hollow already described, the groundwas so dry that traces of every sort were lost. In the vicinity of therock, too, the only marks left were the scratches in the moss adheringto the steep sides of the bowlder itself. 2ff7e9595c
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